Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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LORENZO DI CREDI
Annunciation s6

ID: 07997

LORENZO DI CREDI Annunciation s6
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LORENZO DI CREDI Annunciation s6


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LORENZO DI CREDI

Italian High Renaissance Painter, ca.1458-1537  Related Paintings of LORENZO DI CREDI :. | The Adoration of the Shepherds | The Annunciation (mk05) | Madonna with the Christ Child and St John the Baptist | The Holy Family g | venere |
Related Artists:
Andrea Pozzo
Italian Baroque Era Painter, 1642-1709 Italian painter, architect and stage designer. He was a brilliant quadratura painter, whose most celebrated works, such as the decoration of the church of S Ignazio in Rome, unite painting, architecture and sculpture in effects of overwhelming illusionism and are among the high-points of Baroque church art. He was a Jesuit lay brother and produced his most significant work for the Society of Jesus. This affiliation was fundamental to his conception of art and to his heightened awareness of the artist's role as instrumental in proclaiming the faith and stimulating religious fervour. The methods he used were those of Counter-Reformation rhetoric, as represented in Ignatius Loyola's Spirited Exercises (1548).
Jean-Simon Fournier
(1791-1799 ) - Painter
Charles Ricketts
1866-1931 English painter, designer, writer and collector. He trained as an illustrator at the City and Guilds Technical Art School, Lambeth, London, where he met and formed a lifelong relationship with CHARLES HAZELWOOD SHANNON. He identified with the ideals of the Aesthetic Movement, finding inspiration in Renaissance art as well as in the French artists Gustave Moreau and Pierre Puvis de Chavannes. In 1888 he took over James Abbott McNeill Whistler's house, The Vale, in Chelsea and drew together an artists' colony. Inspired by the work of A. H. Mackmurdo and William Morris, he set up a small press over which he exercised complete control of design and production, producing art journals and books that included Oscar Wilde's A House of Pomegranates (1891) and The Sphinx (1894). Ricketts later designed founts, initials, borders and illustrations for the Vale Press (1896-1904), blending medieval, Renaissance and contemporary imagery.






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